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So many people balk at the marketing for these films, that when they exit the theater, they claim they’re disappointed, that the movies aren’t delivering on their marketing. It creates more exploitative hype than the original marketing teams could even have dreamed. It keeps knowledge of these movies alive. This is exactly the kind of backlash that wound up creating the video nasty era. I think Dave Poland is confusing interest in how it was done with some kind of sexual gratification. I’d much rather know how the effects were achieved. If anything I should be part of the demographic that should create psychos, if you believe all this bullshit, and I’m not. I’ve been watching horror movies since I was 4 years old. If I’m watching a horror movie in the theater and if there isn’t some point in the watching of it that I’m not afraid someone in the theater is going to grab me from behind and shoot me in the head or stab me from behind, then the movie doesn’t work. (I always thought it was funny that the people that objected to it were never the ones who got those ideas to imitate what was up on the screen, it was always those “other” people.) To that argument, what I say is, if those movies scared you into believing someone might do that, to you or to others, then the movie WORKED. This is just an old argument like when the slasher films were popular in the 80s, when people objected to the content because they were afraid it would give people ideas and go out and imitate what they saw in the movie. I always found them disturbing and they’re meant to be disturbing. I don’t know a single person who gets off sexually watching the torture scenes in a Hostel movie or a Saw movie. It was made up by a critic, Dave Poland I think, and it stuck. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary.The whole “torture porn” moniker makes me laugh. Much of what follows consists of the squirm-inducing surgical horrors that characterize precursors such as SAW, with the implications regarding the capitalist system and the human soul becoming ever darker. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that sets its customers up with the opportunity to torture and kill a helpless victim. There, the sex farce to which the film�s first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions.
#HOSTEL THE MOVIE TARANTINO FULL#
But when a fellow traveler tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe.
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In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way they picked up an Icelandic lunk named Oli (Eythor Gudjonsson).